Frankenstein Conquers the World -- The Monster Toho Style

Frankenstein Conquers the World, 1965, Toho, Color. Director: Ishiro Honda; Cast includes Nick Adams, Kumi Mizuno, Tadao Takashima and Kuji Furuhata. 87 minutes in most prints. Seven out of 10 stars on the Schlock-Meter.

This is a fun film that doesn't fail to deliver cheesy thrills with a fast-growing boy Frankenstein (Furuhata) eating everything in sight and battling a monster named Baragon at the end. Scientists (Adams, Mizuno and Takashima) battle to save the boy monster so he "can be studied."

The FXs are cheesy, with the boy Frankenstein looking pretty silly on miniature sets and with overhead camera shots. The battle scenes are fake but fun, with a rubber monster flipping around a lot. The dubbing is as bad as expected. The most campy dubbing involves a German scientist, who sports an accent so bogus that even "Hogan's Heroes" would be ashamed to use it.

The bizarre plot is as follows: Late in World War 2, the heart of the Frankenstein monster is stolen from the lab of Dr. Frankenstein by Axis soldiers. It makes its way to Japan, where it survives the atomic blast in Hiroshima. It then somehow attaches itself to a small boy who survives the Hiroshima blast. He grows and grows and grows. There are a lot of twists on Mary Shelley's legend: Frankenstein can never die, and if you cut off a limb, it grows again!

This film, corny as it is, can be at times compelling. It takes place in Hiroshima and the horror of the Hiroshima bombing hangs over the plot. Star Adams's doctor is an American so horrified by what happened in Hiroshima that he's chosen to travel across the world and treat those still suffering. Frankenstein Conquers the World, while a misleading title, is a silly film, but it's a cut above its genre. The wild plot and classic Toho effects make it worth a rental and a tape if you can catch it on TV. I saw it on American Movie Classics.

Notes: According to an article in Cult Movies magazine, stars Adams and Mizuno had a brief affair; The film was released in the USA by Henry Saperstein's UPA company; There was more than one ending filmed (the ending for this review has the monster sinking into the earth); Toho made one more film with the Frankenstein monster, War of the Gargantuas, starring Russ Tamblyn.

-- Doug Gibson

Review: Frankenstein Conquers the World

Frankenstein Conquers the World, 1965, Toho, Color. Director: Ishiro Honda; Cast includes Nick Adams, Kumi Mizuno, Tadao Takashima and Kuji Furuhata. 87 minutes in most prints. Seven out of 10 stars on the Schlock-Meter.

This is a fun film that doesn't fail to deliver cheesy thrills with a fast-growing boy Frankenstein (Furuhata) eating everything in sight and battling a monster named Baragon at the end. Scientists (Adams, Mizuno and Takashima) battle to save the boy monster so he "can be studied."

The FXs are cheesy, with the boy Frankenstein looking pretty silly on miniature sets and with overhead camera shots. The battle scenes are fake but fun, with a rubber monster flipping around a lot. The dubbing is as bad as expected. The most campy dubbing involves a German scientist, who sports an accent so bogus that even "Hogan's Heroes" would be ashamed to use it.

The bizarre plot is as follows: Late in World War 2, the heart of the Frankenstein monster is stolen from the lab of Dr. Frankenstein by Axis soldiers. It makes its way to Japan, where it survives the atomic blast in Hiroshima. It then somehow attaches itself to a small boy who survives the Hiroshima blast. He grows and grows and grows. There are a lot of twists on Mary Shelley's legend: Frankenstein can never die, and if you cut off a limb, it grows again!

This film, corny as it is, can be at times compelling. It takes place in Hiroshima and the horror of the Hiroshima bombing hangs over the plot. Star Adams's doctor is an American so horrified by what happened in Hiroshima that he's chosen to travel across the world and treat those still suffering. Frankenstein Conquers the World, while a misleading title, is a silly film, but it's a cut above its genre. The wild plot and classic Toho effects make it worth a rental and a tape if you can catch it on TV. I saw it on American Movie Classics.

Notes: According to an article in Cult Movies magazine, stars Adams and Mizuno had a brief affair; The film was released in the USA by Henry Saperstein's UPA company; There was more than one ending filmed (the ending for this review has the monster sinking into the earth); Toho made one more film with the Frankenstein monster, War of the Gargantuas, starring Russ Tamblyn.

-- Doug Gibson

Review: Godzilla 2000

Godzilla 2000, 2000, about 90 minutes, color, Toho films, Japan Distributed in the U.S. by Columbia Tristar. Directed by Takao Okawara. Starring Kitagawa Tsutomo, Hiroshi Abe, Takehiro Murata, Mayu Suzuki and Shiro Sano. Rated PG. Rating on a scale of 10: 8.

When I was a child, I saw a lot of Saturday matinee thrillers. I remember really enjoying reissues of the Marx Brothers' Go West and The Seventh Voyage of Sinbad. But I never saw a Godzilla film. I didn't lose any sleep over it as a child, but, when Toho's latest Godzilla flick, Godzilla 2000, opened in August (2000), I persuaded my skeptical wife to catch a matinee at one of those new mega-cinema mall (this place was showing over 30 films). So we settled down with some popcorn, and I put my feet up in the nearly empty theater and waited for some bad dubbing, some fairly cheesy monsters and Godzilla's distinct Japanese shriek.


And that's exactly what I got. Godzilla is cheesy and at times ridiculous, but still, it's a lot of fun. It doesn't try to take itself seriously, and as a result, provides great Saturday matinee popcorn-gobbling fun. When it comes out in video, it's a must for cult fans to rent this film, microwave the popcorn, and catch it late night on the tube. Here's the plot: The Godzilla Prediction Network (I'm not making that name up) is in a race with Japan's Crisis Control Intelligence Agency to find Godzilla, who occasionally rampages the countryside. The Prediction wants to contain Godzilla and study the creature. The Crisis Control bureaucrats, led by one of the most stone-faced actors in film history, want to kill Japan's most famous beast. In between there's a nosy newspaper reporter trying to get the perfect photo of Godzilla. Somewhere in the middle of all this, a huge rock is lifted from the bottom of the sea to sunlight, thereby resurrecting a huge alien monster. Guess who gets the fight it?


There are many moments of camp in this monster-fest. Besides the ridiculous dubbing and still-poor Toho effects, the scene where the woman reporter is chewed out by her editor is fun to watch. It seems she was too close to the Godzilla, and the radiation wipes out a good print! The final, dubbed line in the film is a howler, and I won't give it away.


There's a lot of action, and a lot of Godzilla in Godzilla 2000, and that makes it a winner and a must-see for cult film lovers. As mentioned, after it leaves theaters, it's best seen late at night, with beer or pop and a lot of popcorn. You'll laugh a lot, but you'll also enjoy the story, and the energetic rubber monsters flailing away. After watching this film, I'm sure Toho will bring back the big guy for a sequel every few years.

-- Doug Gibson