Thursday, March 12, 2009

Another Review: Lords of Magick

LORDS OF MAGIC: Pimple cream not required
By Steve D. Stones

I have to admit that I was a bit hesitant to want to view this film. The artwork on the video box reminded me of all the geeks I knew in High School who spent their free time playing Dungeons & Dragons board games and coating their faces with pimple cream.
As a fan of “cult films,” I find that it is necessary to keep an open mind to all forms of cinema, regardless of whether or not the genre appeals to me. My second viewing of the film proved to be a much more rewarding experience. An evil sorcerer kidnaps a beautiful princess named Lina. Two Merlin Wizard brothers named Michael and Ulric Redglen are on a quest to save the princess. The two are captured by Knights in a tavern and are brought before the king to stand trial for necromancy.
The king eventually sets them free to continue their pursuit in finding the princess. In the forest, the Redglen brothers encounter a hanging corpse. After using necromancy to revive the corpse, he tells them to go to the altar of the skulls to meet the evil sorcerer Salatin. There they urinate on his altar, which infuriates the sorcerer. They demand the release of the princess. Lord Merlin soon appears and tells them to go fourth some 1,000 years into the future to battle Salatin and find the princess.
Their journey takes them to modern 1980s Hollywood, California. Although Hollywood is full of weirdos, dropouts and dead beats, the locals find the two brothers to be very strange as they wonder through the town. They think the Hollywood buildings are castles. A cop approaches them and demands they surrender their swords. Ulric fights one of the officers. Both brothers are arrested and forcibly put in the police car, but magically escape soon after.
Continuing their journey through Hollywood, the brothers find a poster advertising a theatrical production of The Princess and The Pea. Here they hope to find the princess. Entering the theater, they fit right in with the crowd dressed in medieval costumes. Outside the theater they encounter a woman who they think is the princess. A gang attacks them, thinking they are raping and kidnapping the woman. One of the gang appears to be adult film star Ron Jeremy. After reading Sherman Hirsh’s write up on this film, he confirmed for me that one of the gang members is indeed Ron Jeremy. I’m just glad I wasn’t on the set the day Ron decided to hang out in his underwear. The title of the movie would have to be changed to “Lords of Regurgitation,” if you know what I mean?
While battling the street gang, Michael recites a chant as a young man looks out on the street from his apartment window reciting the same chant. The chant transports Michael and Ulric to his apartment. Here they meet Thomas and ask for his help in battling Salatin. Thomas’ girlfriend does not believe that Michael and Ulric are wizards. Thomas takes the Redglen brothers to an address with the number 666 on the mailbox. They enter an old dark house filled with cobwebs and dust.
Michael and Ulric leave the room in search of The Chamber of Love while Thomas stays behind. A corpse rises out of a coffin with glowing red eyes. All three men eventually find Salatin holding the princess captive in a trance. Ulric breaks the spell of the trance. He realizes she is the real princess from a mark on her chest. The group flees the house and returns back to Thomas’ apartment. Here Ron Jeremy and his street gang attack them again. The gang is now possessed by the power of Salatin.
After defeating the gang, the Redglen brothers ask Thomas for candles, salt and chalk. They create a chalk outline barrier on the floor to protect the princess from the evil of Salatin. Thomas and Michael go to a local library to find a book written by Michael a thousand years ago. The librarian refuses to allow them access to a vault in the basement of the library, so the two carefully break into the vault to find the book. The librarian catches them and transforms into an evil demon.
Meanwhile, Ulric approaches a prostitute in Hollywood, and pays her with a gold coin for her services. While in the hotel room with the girl, he encounters Salatin in the bathroom mirror. Salatin convinces Ulric to betray his brother Michael by fornicating with the prostitute. He is now possessed by the evil Salatin, and kills the prostitute before leaving the hotel room.
Leaving the library, Michael and Thomas go to a gypsy named Esmeralda to ask for her aide in locating Salatin. She finds him in her crystal ball. This is one of my favorite scenes in the film because some of the special effects in the scene are quite intriguing. The skull and Buddha on the shelf in Esmeralda’s room move around and laugh. Ulric returns to Thomas’ apartment to lure the princess out of the chalk circle. She is led out of the circle and into the presence of Salatin.
Michael and Thomas soon find Salatin in a warehouse and discover that Ulric has betrayed them. Michael challenges Salatin to a duel. An armyof zombies is ordered to attack Michael and Thomas. The two escape the zombies with the princess through an opening in the warehouse wall. Both Thomas and Michael use their sorcery to destroy Salatin. With the death of Salatin comes the death of Ulric.
Michael then takes the princess back to his own time. Michael asks permission of his father to resurrect Ulric from the dead. His father must confront the archbishop for permission. The film ends with the princess delivering a message from Michael’s father, informing him that he is now a nobleman, and can now marry the princess.
This film is proof that you can’t always judge a film in its first viewing, or even by the video box art. I have a greater appreciation for it now that I have viewed it a few times and read Sherman Hirsh’s writeup on the film (found on this website.).
Making a movie is not an easy task, so we always need to keep an open mind when we sit down to watch someone’s hard work, even if it is just “Cable Fodder,” to use Sherman’s word. Forget the pimple cream when you watch Lords of Magic.

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